Sometime ago I was sent the following information about a family called Blatchley who with various friends had strong Bitton connections. I had not come across them before and therefore they do not appear in my KINGSWOOD INDEX.  I was reminded of them following my recent posting concerning the Box Tunnel. This is the letter I received from Mr Guy Hirst:

“BLATCHLEY

“The Blatchleys came to the area in the 1820s from the Longleat Estate.

William the father (1771-1854) was an Innkeeper and may have been the 'William Blatcham' who appears as landlord of the Tennis Court Inn at Deanery Road, Warmley in Pigot's Directory of Gloucestershire, 1830. He had retired back to Longleat to a rent free cottage by 1839.

Charles Blatchley, (elder son), (1796-1879), Half Pay Lieutenant RN - paid off from the navy in 1825, began a new career as a railway civil engineer possibly at first with the local Bristol & Gloucestershire Railway from Coalpit Heath. His first child was born at Mangotsfield in 1828. Charles went back to sea 1830-4 and then returned to Kingswood, where his second son was born in 1836.That year Charles found a job with Brunel on the Box Tunnel and left to live at Box. Charles’ lifetime friend and colleague William Glennie was living at Bitton in the 1830s and also moved from the Royal Navy to Brunel. Glennie's wife was the daughter of the great art publicist Henry Aston Barker* (inventor of the panorama and son in law of Captain Bligh of the Bounty) who retired from London to Bitton at this period.

John Blatchley, (younger son), (1803-1862), was a butcher. He married Ruth Fudge in 1828 and had 3 children at Kingswood Hill. Ruth died in 1834. By 1836 the family had moved to Newport, Monmouthshire. When his second wife died in 1847, John and the children struck hard times and ended up in 1851 in the Keynsham Workhouse as John seems to have had a 'settlement' at Oldland. After another spell in Newport he died back in the Keynsham Union House in 1862.

Clara, John's eldest child born 1829 at Warmley remained in the area and appears not to have gone to Newport. In 1851 she was servant to the Moravian Minister Peter Cornelius West at Siston. She married in 1858 at Bitton and left for Liverpool in the 1860s.

John's second wife was Mary Ann James (1809-1847) daughter of George James (b Mangotsfield c1779) and Hannah Ponting (b. Stapleton 1778)

George James was a pork butcher and moved to Newport in the 1830s probably from Bristol where he had lived since his marriage in 1802.

Finally Sophia Grace nee Blatchley (1794-1880) sister of John and Charles, lived from about 1821 to 1835 at Warmley, Bitton, Kingswood with her Exciseman husband William.

“Kind Regards

Guy Hirst.”

I was intrigued by the connection with Bligh of the “Bounty” and decided to check out the information provided.

WILLIAM BLATCHLEY (1771-1854)

William Blatcham is listed as the Landlord of the Tennis Court in 1830. see warmley history. It seems clear from the note concerning John Blatchley (below) that he is indeed the same as William Blatchley.

William Blatchley married Joyce Scriffen Crokett at Longbridge Deverill, Wilts, 4.12.1792.

In 1841 William Blatchley and his wife Joyce aged “69 & 67” respectively are living at Horningsham, Wiltshire. William is said to be of independent means. In 1851 they are at Cock Road, Horningsham, as follows:

William Blatchley, 80, occupation “Old Huntsman” born Bath, and Joyce, otherwise Joycey, his wife aged 71.  The death of William Blatchley was registered at Warminster, Wilts in 1854 and that of Joycey at Kensington in 1859.   

CHARLES BLATCHLEY (1796-1879)

C.B. promoted Lieutenant, RN, 2.4.1824, “Morning Post”.

Charles Blatchley & Charlotte Gale married Kingswood, Bristol 18.12.1827.

(Yet to be checked: Blatchley baptisms at Mangotsfield.)

In 1841 living at Box, Wilts:

Charles Blatchley, 41, Navy Half Pay, born Wilts

Charlotte, 38, not born in Wilts, with Frederick, 5 & Alfred, 4, plus a maidservant.

In 1851, Charlotte, aged 50, born Southleigh, Oxon., is living at Ivy Cottage, Victory Parade, Dawlish with Alfred, her son aged 13, born Box whilst

Charles, 55, born Longbridge Deverill, now a Civil Engineer and Charles, his son, 22, also a Civil Engineer are living at Chipping Campden, Glos.

I can find no trace of any of them in 1861. Charlotte, wife of Commander Blatchley, RN,  died on 31.12.1864 at Saltash (obit 6.1.65, Royal Cornwall Gazette) and in 1871, Charles, a widower, aged 75, Greenwich Pensioner, Commander retired, was living at St Germans.  

His death at Saltash, Cornwall, December 3, 1879, “Commander, RN, aged 84” is recorded in the R. Cornwall Gazette 5.12.1879.

Frederick Blatchley esq, of Port View Saltash, s.o. the late Cdr Blatchley married Mary Kate eldest d.o. Rev Edward Polwhele, Rector of Pillaton. (Morning Post 13.7.1882)

JOHN BLATCHLEY (1802-1862)

“the son of the Landlord of the Tennis Court Inn” gave evidence at the Inquest on Isaac Gorden who was murdered after leaving the pub. (see Morning Chronicle, 6.12.1824) James Caines Bush and Mark Whiting of Kingswood were later hanged for the crime.

John Blatchley makes no further appearance in newspaper articles. I have yet to check his marriage to Ruth Fudge or the baptisms of his children. 

In 1841, described “brewer” (not butcher) he is living at Charles Street, St Woolos, Newport, aged 38, with his wife Mary, 32, and children William, 4, Mary 16 months, and Emma, aged 10, who must be the child of his first marriage.

In 1851, he is not in Keynsham Workhouse but in premises belonging to William Williams, a shipping labourer, and is described as a “painter, journeyman”, born Crockerton, Wiltshire. With him is his son William aged 14, “painter’s boy”, born Newport.   However, in the Keynsham Workhouse are Mary A. Blatchley, 11 and Charles Blatchley, 5, “pauper scholars”, birthplace unknown.

In 1861 John is not in the list for Keynsham Workhouse, but William, now 26, seems to have gone to Droylsden, Manchester, where he says he was “born Gloucestershire” and is living at 9 Durham Street, with his wife Jane aged 25. In 1871, William is still living in Lancashire, now aged 35, a shopman, and says he was born “Monmouthshire”. He has a different wife, Eliza, and five children. Things are looking up for they have a servant, Eleanor Ascroft, aged 15.

It is intriguing to notice the contrast in fortune in the lives of the brothers Charles and John Blatchley.

CLARA BLATCHLEY, (ca1829-1903) the daughter of John Blatchley was a maidservant at the home of the Moravian Minister, Peter Cornelius West at Potters Wood, Kingswood in 1851.

She married Robert Stone, junior, a paper maker, and in 1861 they were living at Oldland Common with their baby son, Frederick, aged one. By 1871 they had moved to Everton, Liverpool where Robert was now working at an india-rubber factory and the family had grown to six children. In 1881 he was an outdoor officer for the Local Marine Board, and in 1891, a Restaurant Manager! A Jack of All-Trades! Robert died aged 56 in 1892 and in 1901, the widowed Clara was staying with her son William, his wife Ethel and their large family at Lambeth. She died in 1903, aged 73, back home in Liverpool.

SOPHIA GRACE, nee Blatchley (1794-1880)

sister of William & Charles Blatchley, married William Grace and in 1841 was at Husbandman’s End, Shipton on Stour, Worcs. William aged 50, (born ca 1791) not born Worcs, Sophia aged 45 (bca 1796) not born Worcs, and their ten children!

In 1851 they were at 12 Caroline Place, Marylebone:

William Grace, 63 (b.1788), retired Inland Revenue Officer, born Enford, Wilts

Sophia, 57 (1794) born Longbridge Deverill

Eliza, daughter, 15, born Cirencester, plus a visitor, nine year old William Hurford, born Brighton.

In 1861, they are still at the same address: William, now 73, “Officer Inland Revenue” though the family business seems to be taking in washing: Sophia, now 66, Louisa, 35 (b.Bitton), Caroline, 28, (b. Kingswood Hill) and Eliza, 25, (b. Cirencester) are all described “laundress”, whilst so Thomas, 25, “assists at home.” The only exception to the enterprise is Maria, 26, (b. Kingswood Hill) a governess.

Sophia Grace, 85, died in London in 1880.

WILLIAM GLENNIE

On Nov. 26 at Bitton, Lt. William Glennie RN  to Elizabeth Catherine eldest daughter of Henry Aston Barker, esquire of Willsbridge. (Marriage announcement Bristol Mercury 12.12.1833)

1841 census at Box, Wiltshire:

William Glennie 40 Lieut RN & Civil Engineer, Not born Wilts

Elizabeth Catherine, 30, Not born Wilts

& 4 children, Walter, 6, Harriet, 5, William, 3 & Catherine Sophia, 1, & 2 servants

1851 census at 23 Devonshire Terrace, St Andrew, Plymouth

William Glennie, 53, (1798) Lieut RN, Half Pay, b. Camberwell

Catherine Glennie, 45 (1806) b. St Geo. Southwark

William, 13, scholar, b. Bitton, Catherine, scholar, 11, b. Bitton, Isabella, 9, b. Sampford Arundel, Som,

Alexander W. 7 b. Sampford Arundel, Mary E. 5, b. Dawlish, Margaret G. b. Plymouth.

Marriage announcement: INGLES/GLENNIE. On 8th inst at Stoke Church, Devonport, Lieut John Ingles RN & Catherine Sophia, 2nd daughter of the late Lieut William Glennie RN of Nelson Villas, Stoke, Devonshire. (Hampshire Chronicle 20.1.1866)

HENRY ASTON BARKER 

Henry As(h)ton Barker & Harriet Maria Bligh married 1802. (Harriet Maria, daughter of William & Bligh and Elizabeth Betham was baptised at Douglas, Isle of Man 14 November 1782.

Henry Aston Barker Gazetted 2nd Lieutenant, Southward Volunteers, 26.8.1807 (announcement, Morning Post)

The following comes from Wikipedia:

Henry Aston Barker (1774 - 19 July 1856) was a Scottish landscape and panorama painter and exhibitor, the son of Robert Barker whose business he continued.^[1]

Life and works

Barker was born in Glasgow, the younger son of Robert Barker, the famous panoramic painter, whom he assisted as a boy. When only 12 years old he was set to work making outlines of the city of Edinburgh from the top of the Calton Hill Observatory, and a few years later made the drawings for the view of London from Albion Mills. These drawings he afterwards etched.^[1]

In 1788 he came with his father to London, and soon afterwards became a pupil at the Royal Academy. Barker continued to be his father's chief assistant in the panoramas till the latter's death in 1806, when, as executor, he took over the business, and for 20 years carried on the exhibitions with great success.^[1]

He frequently travelled in the course of his work, and in August 1799 left England for Turkey, to make drawings for a panorama of Constantinople. When he arrived at Palermo, he called on Sir William Hamilton, the English ambassador at the court of Naples, and was introduced by him to Lord Nelson, of whom, he wrote, "took me by the hand and said he was indebted to me for keeping up the fame of his victory in the Battle of the Nile for a year longer than it would have lasted in the public estimation" (Barker's memoranda). The panorama of Constantinople was exhibited in 1802, and the drawings were engraved and published in four plates.^[1]

In 1801, Barker went to Copenhagen to make drawings for a picture of the battle, and while there he was again received by Lord Nelson. In May 1802, during the Peace of Amiens, he went to Paris and made drawings for a panorama of the city. After this many other panoramas were exhibited, the later ones being chiefly from drawings by John Burford, who shared with Barker the property in a panorama in the Strand, purchased in 1816 from Mr. Reinagle. Barker, however, still travelled from time to time, and visited, among other places, Malta, where he made drawings of the port, exhibited in 1810 and 1812; Venice, of which a panorama was exhibited in 1819; and Elba, where he made the acquaintance of Napoleon.^[1]

After the battle of Waterloo, Barker visited the field, and went to Paris, where he obtained from the officers at headquarters all necessary information on the subject of the battle. A series of eight etchings by Mr. J. Burnett from Barker's original sketches of the field of battle were printed and published, as were also his drawings of Gibraltar. His last grand panorama was the coronation procession of George IV, exhibited in 1822. Of all the panoramas exhibited, that of the battle of Waterloo was the most successful and lucrative. By the exhibition of this picture Barker realised no less than £10,000.^[1]

About 1802 he married the eldest of the six daughters of Rear-admiral William Bligh, who commanded the Bounty at the time of the celebrated mutiny. By her Barker left two sons and two daughters. In 1826 he transferred the management of both the panoramas to John and Robert Burford, and went to live first at Cheam, in Surrey, and then in the neighbourhood of Bristol.^[1]

Barker died on 19 July 1856 at Bitton near Bristol. A list of most of the panoramas painted and exhibited by Henry and Robert Barker were published in The Art Journal (1857, p. 47).^[2][1]. His brother, Thomas Edward Barker, though not an artist, also ran the family business, but later set up a rival panorama exhibition with artist Ramsay Richard Reinagle at 168/9 The Strand, London.^[3]

Panorama of Constantinople (1813, aquatint)

The Morning Post of 1.1.1823 contains the following: “Mr Henry Aston Barker has completed his magnificent panorama of the coronation of the present king. It is one of the most happy as well as undoubtedly the most splendid of his performances and (establishes) him as the first artist of the day in this line, The picture is exhibited  in the Great Circle at Leicester Square occupying 10,000 feet of canvas and between 30 & 40 thousand figures.”

1841 census: at Golden Valley Bitton

Catherine Barker 90 (1751) b.Ireland

Henry Ashton (sic) Barker, 66 (1775) b. Scotland

Harriet Barker, 58 (1783 b. Scotland* (*presumably there was no column for the IOM)

Mary Barker, 25 (1816) b. Glos.

Catherine Barker, Henry’s mother, and the widow of Robert Barker, died at Bitton in 1842.

On July 29 at Bitton, North Prichard esquire, of Norwood Surrey to Mary, youngest daughter of Henry Aston Barker, of Bitton. (Marriage announcement, Worcester Journal. 5.8.1847)

In 1851, Henry, & Harriet were still living at Golden Valley.

Harriet Maria Barker died at Bitton in the spring of 1856 and Henry survived her by only a few months. His obituary appears in “the Standard” of 24.7.1856 ”the 19th inst at Bitton, Henry Aston Barker, in the 83rd year of his age.”

A few weeks ago I was out with my daughter Celia and she pulled into a garage on Park Row for petrol. I noticed this plaque, on the wall: 

Though I once went through an “arty-farty” period and was vaguely aware of the actor William Macready that was about as far as it went. I was prompted, who knows through what agency, to take a photograph of the plaque. Having parked, we then strolled across the road to the Bristol University Theatre Collection (well worth a visit, especially if you have theatrical ancestors: http: //www.bris.ac.uk/theatrecollection/) where I have every hope one day of discovering more about Lottie Moreton. (see previous blog about this unfortunate soubrette.)  

And that might have been that, except that I downloaded the photo and began idly to seek references to the “Macready Chutes”.

First up, 1841, and Sarah Macready, 50, “lessee of a theatre” was living in a lodging house in Queen Square, Bristol kept by Marianne Vickerman, aged 45.  Sarah, nee Desmond, an actress, was the second wife of William Macready, Manager of the Theatre Royal who had died on 11 April 1829, leaving her with “two orphans”.  (The famous actor William Macready was a son of the first marriage.)

The census of 1851 shows Sarah aged 58, “lessee of theatres” living at Walcot, Bath in the Assembly Rooms with her son in law James H. Chute, aged 41, who was proprietor of the establishment, born Stoke, Hampshire, his wife, (Sarah’s daughter), Mazzarina E., aged 26, born Swansea and their two sons William aged 5 and Henry, 2. A daughter aged 10 days was unnamed.

James Henry Chute and Mazzarina Emily Macready had been married at Westminster in the winter of 1844. Here then were the “Macready Chutes” of the plaque.

Sarah Macready’s obituary with details of her life and career appeared in the Bristol Mercury of 12 March 1853, her age given as 64.

I have so far been unable to locate the family in the 1861 census, but it is clear from advertisements that James Henry Chute was manager of the Theatre Royal at this time. On 2 June 1861 the “Royal Dramatic College” thanked him for donating a portrait of “W. Macready, sen., esq.”

James Henry took over the Princes Theatre in 1866. http: //www.its-behind-you.com/princesbristol.html 

In 1871, James Henry, now 60, “dramatic manager” and Mazzarina, 46, and five of their children between the ages of 20 and 6 years were residing at 2 Park Row, next to a school for the “deaf and dumb”. Henry, aged 2 in 1851, was now twenty two and an assistant house surgeon at the Bristol Infirmary.

Now here’s the surprise. Evidence of the voice from the ether that had prompted me to take the photo? Living with the Chutes was Julia Pillinger, aged 50, spinster, a music teacher. Visitors to this blog will know that I have studied, as far as possible, all the Pillingers in the World and though I can claim no specific relationship to Julia, she is as dear to me as all the rest. She will be found in my History of the Pillinger Family, Part 3, as a twig on the branch that came originally from Box, Wiltshire. Following the death of George Pillinger in Bath, his wife Julia decided to try her luck as a singer in Bristol. Her daughter, Julia junior was sent away to study music in London, one of the very few Pillingers who could boast any sort of education prior to the present era. On her return, mother and daughter set up a “School of Music” in Queen Square, at the same time giving concerts which are reported at length in the local newspapers of the day. I had been aware that Julia junior had lived with the Chutes, but had only noted them in passing, having no idea that they were so hugely important in the dramatic circles of Bristol. Thus from a lowly lodger, scratching a living as a music teacher, as I had imagined, Julia has jumped up the ladder of success in my estimation. And don’t forget Queen Square -  this must have been where Julia Pillinger, senior, apothecary’s widow and aspiring theatrical (by 1841, she was remarried to Richard Harris) struck up an acquaintance with Sarah Macready, the widow of an actor manager. And here’s another thing - Richard, was a “carver and gilder” surely this must mean that he made scenery for the Theatre Royal?  It seems the connection Pillinger-Harris-Macready-Chute continued for at least thirty years.     

You never know what you’ll find next. Family history is wonderful.

Julia Maria Pillinger died in the winter of 1876. Mr & Mrs Chute did not long survive her. Mazzarina died aged 54 in March 1878 of Bright’s disease and James Henry aged 67 of liver failure the following July. They were survived by six sons and three daughters, two of whom, George and James took over the management of the Princes Theatre.   

George Macready Chute and his wife Abigail Philomena were living at Cotham Gardens, Westbury on Trym in 1891. In 1901 they were in Sidmouth with their son Desmond, aged five. In 1911 they were in Folkestone whilst Desmond, now 15 was boarding at Downside School. Despite apparently no longer living in Bristol, George M.’s occupation throughout is “Theatrical Proprietor/Manager.” According to the plaque the family was associated with the Princes Theatre until 1931.