Sometime ago I was sent the following information about a family called Blatchley who with various friends had strong Bitton connections. I had not come across them before and therefore they do not appear in my KINGSWOOD INDEX.  I was reminded of them following my recent posting concerning the Box Tunnel. This is the letter I received from Mr Guy Hirst:

“BLATCHLEY

“The Blatchleys came to the area in the 1820s from the Longleat Estate.

William the father (1771-1854) was an Innkeeper and may have been the 'William Blatcham' who appears as landlord of the Tennis Court Inn at Deanery Road, Warmley in Pigot's Directory of Gloucestershire, 1830. He had retired back to Longleat to a rent free cottage by 1839.

Charles Blatchley, (elder son), (1796-1879), Half Pay Lieutenant RN - paid off from the navy in 1825, began a new career as a railway civil engineer possibly at first with the local Bristol & Gloucestershire Railway from Coalpit Heath. His first child was born at Mangotsfield in 1828. Charles went back to sea 1830-4 and then returned to Kingswood, where his second son was born in 1836.That year Charles found a job with Brunel on the Box Tunnel and left to live at Box. Charles’ lifetime friend and colleague William Glennie was living at Bitton in the 1830s and also moved from the Royal Navy to Brunel. Glennie's wife was the daughter of the great art publicist Henry Aston Barker* (inventor of the panorama and son in law of Captain Bligh of the Bounty) who retired from London to Bitton at this period.

John Blatchley, (younger son), (1803-1862), was a butcher. He married Ruth Fudge in 1828 and had 3 children at Kingswood Hill. Ruth died in 1834. By 1836 the family had moved to Newport, Monmouthshire. When his second wife died in 1847, John and the children struck hard times and ended up in 1851 in the Keynsham Workhouse as John seems to have had a 'settlement' at Oldland. After another spell in Newport he died back in the Keynsham Union House in 1862.

Clara, John's eldest child born 1829 at Warmley remained in the area and appears not to have gone to Newport. In 1851 she was servant to the Moravian Minister Peter Cornelius West at Siston. She married in 1858 at Bitton and left for Liverpool in the 1860s.

John's second wife was Mary Ann James (1809-1847) daughter of George James (b Mangotsfield c1779) and Hannah Ponting (b. Stapleton 1778)

George James was a pork butcher and moved to Newport in the 1830s probably from Bristol where he had lived since his marriage in 1802.

Finally Sophia Grace nee Blatchley (1794-1880) sister of John and Charles, lived from about 1821 to 1835 at Warmley, Bitton, Kingswood with her Exciseman husband William.

“Kind Regards

Guy Hirst.”

I was intrigued by the connection with Bligh of the “Bounty” and decided to check out the information provided.

WILLIAM BLATCHLEY (1771-1854)

William Blatcham is listed as the Landlord of the Tennis Court in 1830. see warmley history. It seems clear from the note concerning John Blatchley (below) that he is indeed the same as William Blatchley.

William Blatchley married Joyce Scriffen Crokett at Longbridge Deverill, Wilts, 4.12.1792.

In 1841 William Blatchley and his wife Joyce aged “69 & 67” respectively are living at Horningsham, Wiltshire. William is said to be of independent means. In 1851 they are at Cock Road, Horningsham, as follows:

William Blatchley, 80, occupation “Old Huntsman” born Bath, and Joyce, otherwise Joycey, his wife aged 71.  The death of William Blatchley was registered at Warminster, Wilts in 1854 and that of Joycey at Kensington in 1859.   

CHARLES BLATCHLEY (1796-1879)

C.B. promoted Lieutenant, RN, 2.4.1824, “Morning Post”.

Charles Blatchley & Charlotte Gale married Kingswood, Bristol 18.12.1827.

(Yet to be checked: Blatchley baptisms at Mangotsfield.)

In 1841 living at Box, Wilts:

Charles Blatchley, 41, Navy Half Pay, born Wilts

Charlotte, 38, not born in Wilts, with Frederick, 5 & Alfred, 4, plus a maidservant.

In 1851, Charlotte, aged 50, born Southleigh, Oxon., is living at Ivy Cottage, Victory Parade, Dawlish with Alfred, her son aged 13, born Box whilst

Charles, 55, born Longbridge Deverill, now a Civil Engineer and Charles, his son, 22, also a Civil Engineer are living at Chipping Campden, Glos.

I can find no trace of any of them in 1861. Charlotte, wife of Commander Blatchley, RN,  died on 31.12.1864 at Saltash (obit 6.1.65, Royal Cornwall Gazette) and in 1871, Charles, a widower, aged 75, Greenwich Pensioner, Commander retired, was living at St Germans.  

His death at Saltash, Cornwall, December 3, 1879, “Commander, RN, aged 84” is recorded in the R. Cornwall Gazette 5.12.1879.

Frederick Blatchley esq, of Port View Saltash, s.o. the late Cdr Blatchley married Mary Kate eldest d.o. Rev Edward Polwhele, Rector of Pillaton. (Morning Post 13.7.1882)

JOHN BLATCHLEY (1802-1862)

“the son of the Landlord of the Tennis Court Inn” gave evidence at the Inquest on Isaac Gorden who was murdered after leaving the pub. (see Morning Chronicle, 6.12.1824) James Caines Bush and Mark Whiting of Kingswood were later hanged for the crime.

John Blatchley makes no further appearance in newspaper articles. I have yet to check his marriage to Ruth Fudge or the baptisms of his children. 

In 1841, described “brewer” (not butcher) he is living at Charles Street, St Woolos, Newport, aged 38, with his wife Mary, 32, and children William, 4, Mary 16 months, and Emma, aged 10, who must be the child of his first marriage.

In 1851, he is not in Keynsham Workhouse but in premises belonging to William Williams, a shipping labourer, and is described as a “painter, journeyman”, born Crockerton, Wiltshire. With him is his son William aged 14, “painter’s boy”, born Newport.   However, in the Keynsham Workhouse are Mary A. Blatchley, 11 and Charles Blatchley, 5, “pauper scholars”, birthplace unknown.

In 1861 John is not in the list for Keynsham Workhouse, but William, now 26, seems to have gone to Droylsden, Manchester, where he says he was “born Gloucestershire” and is living at 9 Durham Street, with his wife Jane aged 25. In 1871, William is still living in Lancashire, now aged 35, a shopman, and says he was born “Monmouthshire”. He has a different wife, Eliza, and five children. Things are looking up for they have a servant, Eleanor Ascroft, aged 15.

It is intriguing to notice the contrast in fortune in the lives of the brothers Charles and John Blatchley.

CLARA BLATCHLEY, (ca1829-1903) the daughter of John Blatchley was a maidservant at the home of the Moravian Minister, Peter Cornelius West at Potters Wood, Kingswood in 1851.

She married Robert Stone, junior, a paper maker, and in 1861 they were living at Oldland Common with their baby son, Frederick, aged one. By 1871 they had moved to Everton, Liverpool where Robert was now working at an india-rubber factory and the family had grown to six children. In 1881 he was an outdoor officer for the Local Marine Board, and in 1891, a Restaurant Manager! A Jack of All-Trades! Robert died aged 56 in 1892 and in 1901, the widowed Clara was staying with her son William, his wife Ethel and their large family at Lambeth. She died in 1903, aged 73, back home in Liverpool.

SOPHIA GRACE, nee Blatchley (1794-1880)

sister of William & Charles Blatchley, married William Grace and in 1841 was at Husbandman’s End, Shipton on Stour, Worcs. William aged 50, (born ca 1791) not born Worcs, Sophia aged 45 (bca 1796) not born Worcs, and their ten children!

In 1851 they were at 12 Caroline Place, Marylebone:

William Grace, 63 (b.1788), retired Inland Revenue Officer, born Enford, Wilts

Sophia, 57 (1794) born Longbridge Deverill

Eliza, daughter, 15, born Cirencester, plus a visitor, nine year old William Hurford, born Brighton.

In 1861, they are still at the same address: William, now 73, “Officer Inland Revenue” though the family business seems to be taking in washing: Sophia, now 66, Louisa, 35 (b.Bitton), Caroline, 28, (b. Kingswood Hill) and Eliza, 25, (b. Cirencester) are all described “laundress”, whilst so Thomas, 25, “assists at home.” The only exception to the enterprise is Maria, 26, (b. Kingswood Hill) a governess.

Sophia Grace, 85, died in London in 1880.

WILLIAM GLENNIE

On Nov. 26 at Bitton, Lt. William Glennie RN  to Elizabeth Catherine eldest daughter of Henry Aston Barker, esquire of Willsbridge. (Marriage announcement Bristol Mercury 12.12.1833)

1841 census at Box, Wiltshire:

William Glennie 40 Lieut RN & Civil Engineer, Not born Wilts

Elizabeth Catherine, 30, Not born Wilts

& 4 children, Walter, 6, Harriet, 5, William, 3 & Catherine Sophia, 1, & 2 servants

1851 census at 23 Devonshire Terrace, St Andrew, Plymouth

William Glennie, 53, (1798) Lieut RN, Half Pay, b. Camberwell

Catherine Glennie, 45 (1806) b. St Geo. Southwark

William, 13, scholar, b. Bitton, Catherine, scholar, 11, b. Bitton, Isabella, 9, b. Sampford Arundel, Som,

Alexander W. 7 b. Sampford Arundel, Mary E. 5, b. Dawlish, Margaret G. b. Plymouth.

Marriage announcement: INGLES/GLENNIE. On 8th inst at Stoke Church, Devonport, Lieut John Ingles RN & Catherine Sophia, 2nd daughter of the late Lieut William Glennie RN of Nelson Villas, Stoke, Devonshire. (Hampshire Chronicle 20.1.1866)

HENRY ASTON BARKER 

Henry As(h)ton Barker & Harriet Maria Bligh married 1802. (Harriet Maria, daughter of William & Bligh and Elizabeth Betham was baptised at Douglas, Isle of Man 14 November 1782.

Henry Aston Barker Gazetted 2nd Lieutenant, Southward Volunteers, 26.8.1807 (announcement, Morning Post)

The following comes from Wikipedia:

Henry Aston Barker (1774 - 19 July 1856) was a Scottish landscape and panorama painter and exhibitor, the son of Robert Barker whose business he continued.^[1]

Life and works

Barker was born in Glasgow, the younger son of Robert Barker, the famous panoramic painter, whom he assisted as a boy. When only 12 years old he was set to work making outlines of the city of Edinburgh from the top of the Calton Hill Observatory, and a few years later made the drawings for the view of London from Albion Mills. These drawings he afterwards etched.^[1]

In 1788 he came with his father to London, and soon afterwards became a pupil at the Royal Academy. Barker continued to be his father's chief assistant in the panoramas till the latter's death in 1806, when, as executor, he took over the business, and for 20 years carried on the exhibitions with great success.^[1]

He frequently travelled in the course of his work, and in August 1799 left England for Turkey, to make drawings for a panorama of Constantinople. When he arrived at Palermo, he called on Sir William Hamilton, the English ambassador at the court of Naples, and was introduced by him to Lord Nelson, of whom, he wrote, "took me by the hand and said he was indebted to me for keeping up the fame of his victory in the Battle of the Nile for a year longer than it would have lasted in the public estimation" (Barker's memoranda). The panorama of Constantinople was exhibited in 1802, and the drawings were engraved and published in four plates.^[1]

In 1801, Barker went to Copenhagen to make drawings for a picture of the battle, and while there he was again received by Lord Nelson. In May 1802, during the Peace of Amiens, he went to Paris and made drawings for a panorama of the city. After this many other panoramas were exhibited, the later ones being chiefly from drawings by John Burford, who shared with Barker the property in a panorama in the Strand, purchased in 1816 from Mr. Reinagle. Barker, however, still travelled from time to time, and visited, among other places, Malta, where he made drawings of the port, exhibited in 1810 and 1812; Venice, of which a panorama was exhibited in 1819; and Elba, where he made the acquaintance of Napoleon.^[1]

After the battle of Waterloo, Barker visited the field, and went to Paris, where he obtained from the officers at headquarters all necessary information on the subject of the battle. A series of eight etchings by Mr. J. Burnett from Barker's original sketches of the field of battle were printed and published, as were also his drawings of Gibraltar. His last grand panorama was the coronation procession of George IV, exhibited in 1822. Of all the panoramas exhibited, that of the battle of Waterloo was the most successful and lucrative. By the exhibition of this picture Barker realised no less than £10,000.^[1]

About 1802 he married the eldest of the six daughters of Rear-admiral William Bligh, who commanded the Bounty at the time of the celebrated mutiny. By her Barker left two sons and two daughters. In 1826 he transferred the management of both the panoramas to John and Robert Burford, and went to live first at Cheam, in Surrey, and then in the neighbourhood of Bristol.^[1]

Barker died on 19 July 1856 at Bitton near Bristol. A list of most of the panoramas painted and exhibited by Henry and Robert Barker were published in The Art Journal (1857, p. 47).^[2][1]. His brother, Thomas Edward Barker, though not an artist, also ran the family business, but later set up a rival panorama exhibition with artist Ramsay Richard Reinagle at 168/9 The Strand, London.^[3]

Panorama of Constantinople (1813, aquatint)

The Morning Post of 1.1.1823 contains the following: “Mr Henry Aston Barker has completed his magnificent panorama of the coronation of the present king. It is one of the most happy as well as undoubtedly the most splendid of his performances and (establishes) him as the first artist of the day in this line, The picture is exhibited  in the Great Circle at Leicester Square occupying 10,000 feet of canvas and between 30 & 40 thousand figures.”

1841 census: at Golden Valley Bitton

Catherine Barker 90 (1751) b.Ireland

Henry Ashton (sic) Barker, 66 (1775) b. Scotland

Harriet Barker, 58 (1783 b. Scotland* (*presumably there was no column for the IOM)

Mary Barker, 25 (1816) b. Glos.

Catherine Barker, Henry’s mother, and the widow of Robert Barker, died at Bitton in 1842.

On July 29 at Bitton, North Prichard esquire, of Norwood Surrey to Mary, youngest daughter of Henry Aston Barker, of Bitton. (Marriage announcement, Worcester Journal. 5.8.1847)

In 1851, Henry, & Harriet were still living at Golden Valley.

Harriet Maria Barker died at Bitton in the spring of 1856 and Henry survived her by only a few months. His obituary appears in “the Standard” of 24.7.1856 ”the 19th inst at Bitton, Henry Aston Barker, in the 83rd year of his age.”

It’s that time of the year again, folks, spring has sprung, the National Trust doors are open and off we go. First up, Clevedon Court  http://www.nationaltrust.org.uk/main/w-clevedoncourt with my daughter Celia. The historic home of the Elton family. I have to say the well known Eltonware pottery struck me as rather bizarre but the veiled lady was fascinating. She was apparently donated to the family years ago by a neighbour who said she frightened her children. I can’t say I’m surprised.

 

Next to Hungerford Castle http://www.english-heritage.org.uk/server/show/nav.16178 

with my elder daughter Caroline and her three sons. I knew little of the Hungerford family, two of the early ones above,  and was shocked to see that most of them met gruesome ends. As the Castle is in ruins, the boys could do very little extra damage, therefore, it’s one of their favourite places so far. Evan, espying a rather scary looking cherub on a tomb in the Chapel, stood beside it and gave a fair imitation of an evil angel out of Dr. Who. Just like this! He’s only three, but advanced for his age. Could this be why the three boys are reluctant to go to bed at night? (This image comes from Dr. Who, Blackpool. Perhaps I’ll buy him one, but not yet!)

Priscilla Lydia Sellon, 1821-76, was a Anglican nun who played a part in the English Catholic Revivalist movement of the 19th century and founded an Order called the Sisters of Mercy. Devoutly religious, she had intended going abroad as a missionary but instead was “called” to work amongst the poor naval families at Devonport, being particularly active during the cholera year of 1849. She was suspected of being a convert to Rome which aroused much controversy, even bigotry. It was stated with ill-concealed satisfaction that a mob had pelted her house in Plymouth, threatening to raze it to the ground. It appears however that male churchmen, who never went into the slums themselves were active in stirring up such events. Rev Hobart Seymour denounced Miss Sellon from the pulpit in Bath, calling her “unladylike” “a petty despot” and likened her to a crafty old owl who caught her Sisters “poor little mice” in her claws. Another clergyman said “God forbid we stop the flow of Christian Charity but we much protest against the system of drawing young ladies from their homes.” As well as feeling threatened by Miss Sellon’s alleged Roman Catholicism it appears to me that newspapermen and clerics alike were even more outraged because she was a woman.

The papers were delighted when things went wrong, as when a Miss Bowring “daughter of Dr Bowring, now in China” had left the Order and returned to her mother in Exeter. It was said she had “been unhappy in the home of her adoption and is now seriously ill.”

Miss Sellon opened several houses in Bristol, at 7 Park Row (unlisted in 1851) and 14 College Green (lodging houses in 1851) when an Irish woman, Catherine Callahan, a Roman Catholic, who seems to have been taken on as a maid of all work described at length and in lurid detail, certain practices supposed to prove that the “Lady Superior” now adhered to Rome but the “evidence” becomes somewhat suspect when it later transpired that Callahan was suing the Sisters for wages which she said were owed to her. A court at Stroud awarded her £1. 5 shillings, which the Sisters appealed, saying she was and always had been aware that they did not pay wages!

In July 1854, the Bristol Mercury reported pompously “Miss Sellon, whose migrations from house to house in Bristol have been so exceedingly numerous that she must have over and over again experienced the truth of the adage that ‘two removes are as bad as one fire’ has made another change of residence and taken the large house in The Fort on St Michael’s Hill which has long been untenanted.”

For the decade 1850-60, Miss Sellon was a celebrity, as well known as Florence Nightingale. She declined to go to the Crimea with Miss Nightingale as she felt to do so might lead to a division of authority, however, the party which left for the war in October 1854 included “a number of recruits from Miss Sellon’s establishment”. 

After 1856 when there was another reported move to The Priory in Bath, Miss Sellon dropped out of the limelight.  It was said that her experiences during the cholera epidemic of 1849 had weakened her and subsequently she could only sit for short periods at a time. She often took her meals in a reclining position, eventually becoming paralytic. It is not possible to say whether this affliction was hysterical but it does seem to compare with the experience of other Victorian lady “invalids” like Harriet Martineau and   Florence Nightingale herself. Miss Sellon died at Malvern in 1876 aged 55.

Miss Sellon should have made appearances in the censuses 1841-71 but I have failed to find her. Her father, William R.B. Sellon, a retired Commander RN and a Magistrate who had changed his name from Smith because of an inheritance can be found under neither name in 1841. In 1851 he was at Gravesend, Kent, aged  60, with his second wife Martha, 43, children Anna, 33, Frederick, 16. John, 14, Gertrude, 8, Elizabeth, 7 and Melville, 4. Another daughter, Caroline aged 10, was living at the Orphans’ Home, Wyndham Place, Plymouth where Catherine Chambers, an associate of Miss Sellon was Matron. Despite her tender years, Caroline is tellingly described “Sister”. Of Miss Sellon herself, there is no sign. It seems she was determined not to be counted. The Plymouth Journal describes the woes of the enumerator who called at her establishment and was greeted by a nun, all in black, who told him Miss Sellon was away and had taken the papers with her. He called again with two forms to be completed but the same nun again refused, “determined to brave the law rather than disclose the secrets of the prison house”, he added, “there is a great mystery as to who is who in the Eldad Nunnery.”

I had not heard of Miss Sellon before I discovered that she had considered taking a house in Brislington which is one of my principal local interests. Nothing seems to have come of it, but I cannot but wonder if it was the forerunner of the Convent at Arno’s Court which became a reformatory for Catholic girls in the late Victorian era.   I think that Miss Sellon, despite the topic being unfashionable nowadays would make a good subject for someone’s dissertation!